A SCHOLARLY BOOK REPOSITORY1015 start with F start with F
Eng develops the concept of “queer diasporas” as a critical response to queer liberalism. A methodology drawing attention to new forms of family and kinship, accounts of subjects and subjectivities, and relations of affect and desire, the concept differs from the traditional notions of diaspora, theories of the nation-state, and principles of neoliberal capitalism upon which queer liberalism thrives. Eng analyzes films, documentaries, and literature by Asian and Asian American artists including Wong Kar-wai, Monique Truong, Deann Borshay Liem, and Rea Tajiri, as well as a psychoanalytic case history of a transnational adoptee from Korea. In so doing, he demonstrates how queer Asian migrant labor, transnational adoption from Asia, and the political and psychic legacies of Japanese internment underwrite narratives of racial forgetting and queer freedom in the present. A focus on queer diasporas also highlights the need for a poststructuralist account of family and kinship, one offering psychic alternatives to Oedipal paradigms. The Feeling of Kinship makes a major contribution to American studies, Asian American studies, diaspora studies, psychoanalysis, and queer theory.
The book’s main focus is contemporary Christian End-Time performances and how they theatrically construct encounters with future time—not just images or ideas of a future, but viscerally and immediately real experiences of future time. Author Jill Stevenson’s examples are Hell Houses and Judgement Houses; Rapture House, a similarly styled “walk through drama” in North Carolina; Hell’s Gates, an “outdoor reality drama” in Dawsonville, Georgia; Ark Encounter, a full-size recreation of Noah’s Ark; and Tribulation Trail, an immersive thirteen-scene drama ministry based on the Book of Revelation. The book’s coda considers similarities between these Christian performances and secular survivalist prepper events, especially with respect to constructions of and language about time. In doing so, the author situates these performances within a larger tradition that challenges traditional secular/sacred distinctions and illuminates how the End Times has been employed in our current social and political moment.
The Female Economy explores that lost world of women's dominance, showing how independent, often ambitious businesswomen and the sometimes imperious consumers they served gradually vanished from the scene as custom production gave way to a largely unskilled modern garment industry controlled by men. Wendy Gamber helps overturn the portrait of wage-earning women as docile souls who would find fulfillment only in marriage and motherhood. She combines labor history, women's history, business history, and the history of technology while exploring topics as wide-ranging as the history of pattern-making and the relationship between entrepreneurship and marriage.
A volume in the series The Working Class in American History, edited by David Brody, Alice Kessler-Harris, David Montgomery, and Sean Wilentz, and in the series Women in American History, edited by Anne Firor Scott, Nancy A. Hewitt, and Stephanie Shaw
Female Gladiators is the first book to examine legal and social battles over the right of women to participate with men in contact sports. The impetus to begin legal proceedings was the 1972 enactment of Title IX, which prohibited discrimination in educational settings, but it was the Equal Protection Clause of the U.S. Constitution and the equal rights amendments of state constitutions that ultimately opened doors. Despite court rulings, however, many in American society resisted—and continue to resist—allowing girls in dugouts and other spaces traditionally defined as male territories.
Inspired, women and girls began to demand access to the contact sports which society had previously deemed too strenuous or violent for them to play. When the leagues continued to bar girls simply because they were not boys, the girls went to court. Sarah K. Fields's Female Gladiators is the only book to examine the legal and social battles over gender and contact sport that continue to rage today.
The alternately racy and moralistic narrative recounts the adventures of a young woman from rural Massachusetts who is seduced by a false-hearted lover, flees to Boston, and is entrapped in a brothel. She eventually escapes by disguising herself as a man and serves with distinction on board the U.S. frigate Constitution during the War of 1812. After subsequent onshore adventures in and out of male dress, she is happily married to a wealthy New York gentleman.
In his introduction, Daniel A. Cohen situates the story in both its literary and historical contexts. He explains how the tale draws upon a number of popular Anglo-American literary genres, including the female warrior narrative, the sentimental novel, and the urban exposé. He then explores how The Female Marine reflects early-nineteenth-century anxieties concerning changing gender norms, the expansion of urban prostitution, the growth of Boston's African American community, and feelings of guilt aroused by New England's notoriously unpatriotic activities during the War of 1812.
When the French actress Sarah Bernhardt made her first American tour in 1880, the term "feminism" had not yet entered our national vocabulary. But over the course of the next half-century, a rising generation of daring actresses and comics brought a new kind of woman to center stage. Exploring and exploiting modern fantasies and fears about female roles and gender identity, these performers eschewed theatrical convention and traditional notions of womanly modesty. They created powerful images of themselves as ambitious, independent, and sexually expressive "New Women."
Female Spectacle reveals the theater to have been a powerful new source of cultural authority and visibility for women. Ironically, theater also provided an arena in which producers and audiences projected the uncertainties and hostilities that accompanied changing gender relations. From Bernhardt's modern methods of self-promotion to Emma Goldman's political theatrics, from the female mimics and Salome dancers to the upwardly striving chorus girl, Glenn shows us how and why theater mattered to women and argues for its pivotal role in the emergence of modern feminism.
In this unique collection, the editors and authors examine, against a rich historical background, the complex contributions that women have made to composition and rhetoric in American education. Using varied and at times experimental modes of presentation to portray teachers and learners at work, including the very young and the elderly, the text provides a generous and fresh feminine perspective on the field.
From the moment the first stewardesses took flight in 1930, flight attendants became glamorous icons of femininity. For decades, airlines hired only young, attractive, unmarried white women. They marketed passenger service aloft as an essentially feminine exercise in exuding charm, looking fabulous, and providing comfort. The actual work that flight attendants did—ensuring passenger safety, assuaging fears, serving food and drinks, all while conforming to airlines’ strict rules about appearance—was supposed to appear effortless; the better that stewardesses performed by airline standards, the more hidden were their skills and labor. Yet today flight attendants are acknowledged safety experts; they have their own unions. Gone are the no-marriage rules, the mandates to retire by thirty-two. In Femininity in Flight, Kathleen M. Barry tells the history of flight attendants, tracing the evolution of their glamorized image as ideal women and their activism as trade unionists and feminists.
Barry argues that largely because their glamour obscured their labor, flight attendants unionized in the late 1940s and 1950s to demand recognition and respect as workers and self-styled professionals. In the 1960s and 1970s, flight attendants were one of the first groups to take advantage of new laws prohibiting sex discrimination. Their challenges to airlines’ restrictive employment policies and exploitive marketing practices (involving skimpy uniforms and provocative slogans such as “fly me”) made them high-profile critics of the cultural mystification and economic devaluing of “women’s work.” Barry combines attention to the political economy and technology of the airline industry with perceptive readings of popular culture, newspapers, industry publications, and first-person accounts. In so doing, she provides a potent mix of social and cultural history and a major contribution to the history of women’s work and working women’s activism.
Through these women’s intertwined stories, Mary Trigg traces the changing nature of the women’s movement across turbulent decades rent by world war, revolution, global depression, and the rise of fascism. Criticizing the standard division of feminist activism as a series of historical waves, Trigg exposes how Irwin, Beard, Stevens, and Pruette helped push the U.S. feminist movement to victory and continued to propel it forward from the 1920s to the 1960s, decades not included in the “wave” model. At a time widely viewed as the “doldrums” of feminism, the women in this book were in fact taking the cause to new sites: the National Women’s Party; sexuality and relations with men; marriage; and work and financial independence. In their utopian efforts to reshape work, sexual relations, and marriage, modern feminists ran headlong into the harsh realities of male power, the sexual double standard, the demands of motherhood, and gendered social structures.
In Feminism as Life’s Work, Irwin, Beard, Stevens, and Pruette emerge as the heirs of the suffrage movement, guardians of a long feminist tradition, and catalysts of the belief in equality and difference. Theirs is a story of courage, application, and perseverance—a story that revisits the “bleak and lonely years” of the U.S. women’s movement and emerges with a fresh perspective of the history of this pivotal era.
Famous for her short fiction—most notably “The Yellow Wallpaper”—Charlotte Perkins Gilman also produced a vast body of nonfiction in tandem with her work as a Progressive-era feminist reformer. Rooted in groundbreaking research on Gilman’s extensive correspondence, publications, and speeches, this keenly argued intellectual biography reconstructs her controversial output and the heady context in which she produced it.
Judith Allen provides the first comprehensive assessment of Gilman’s complicated feminism by exploring the renowned writer’s theories of sexuality and evolutionary analyses of androcentric—or male-dominated—culture. These ideas, Allen shows, informed Gilman’s many contributions to the suffrage movement, the fight to abolish regulated prostitution, and efforts to legalize birth control. Restoring a previously overlooked public intellectual to her preeminent place in Progressive-era politics and the history of feminism at home and abroad, Allen’s landmark study provides the fullest account available of Gilman’s consequential life and profoundly influential work.
Catharine A. MacKinnon, noted feminist and legal scholar, explores and develops her original theories and practical proposals on sexual politics and law. These discourses, originally delivered as speeches, have been brilliantly woven into a book that retains all the spontaneity and accessibility of a live presentation. MacKinnon offers a unique retrospective on the law of sexual harassment, which she designed and has worked for a decade to establish, and a prospectus on the law of pornography, which she proposes to change in the next ten years. Authentic in voice, sweeping in scope, startling in clarity, urgent, never compromised and often visionary, these discourses advance a new theory of sex inequality and imagine new possibilities for social change.
Through these engaged works on issues such as rape, abortion, athletics, sexual harassment, and pornography, MacKinnon seeks feminism on its own terms, unconstrained by the limits of prior traditions. She argues that viewing gender as a matter of sameness and difference—as virtually all existing theory and law have done—covers up the reality of gender, which is a system of social hierarchy, an imposed inequality of power. She reveals a political system of male dominance and female subordination that sexualizes power for men and powerlessness for women. She analyzes the failure of organized feminism, particularly legal feminism, to alter this condition, exposing the way male supremacy gives women a survival stake in the system that destroys them.
A spirited defense of feminism, arguing that the lack of support for working mothers is less a failure of second-wave feminism than a rejection by reactionaries of the sweeping changes they campaigned for.
When people discuss feminism, they often lament its failure to deliver on the promise that women can “have it all.” But as Kirsten Swinth argues in this provocative book, it is not feminism that has betrayed women, but a society that balked at making the far-reaching changes for which activists fought. Feminism’s Forgotten Fight resurrects the comprehensive vision of feminism’s second wave at a time when its principles are under renewed attack.
Through compelling stories of local and national activism and crucial legislative and judicial battles, Swinth’s history spotlights concerns not commonly associated with the movement of the 1960s and 1970s. We see liberals and radicals, white women and women of color, rethinking gender roles and redistributing housework. They brought men into the fold, and together demanded bold policy changes to ensure job protection for pregnant women and federal support for child care. Many of the creative proposals they devised to reshape the workplace and rework government policy—such as guaranteed incomes for mothers and flex time—now seem prescient.
Swinth definitively dispels the notion that second-wave feminists pushed women into the workplace without offering solutions to issues they faced at home. Feminism’s Forgotten Fight examines activists’ campaigns for work and family in depth, and helps us see how feminism’s opponents—not feminists themselves—blocked the movement’s aspirations. Her insights offer key lessons for women’s ongoing struggle to achieve equality at home and work.
Comparing “still new” feminism—as she first encountered it in the early 1970s—with the more established academic discipline that women’s studies has become, Gallop makes a case for the intertwining of learning and pleasure. Refusing to acquiesce to an imperative of silence that surrounds such issues, Gallop acknowledges—and describes—her experiences with the eroticism of learning and teaching. She argues that antiharassment activism has turned away from the feminism that created it and suggests that accusations of harassment are taking aim at the inherent sexuality of professional and pedagogic activity rather than indicting discrimination based on gender—that antiharassment has been transformed into a sensationalist campaign against sexuality itself.
Feminist Accused of Sexual Harassment offers a direct and challenging perspective on the complex and charged issues surrounding the intersection of politics, sexuality, feminism, and power. Gallop’s story and her characteristically bold way of telling it will be compelling reading for anyone interested in these issues and particularly to anyone interested in the ways they pertain to the university.
The Feminist Avant-Garde in American Poetry offers a historical and theoretical account of avant-garde women poets in America from the 1910s through the 1990s and asserts an alternative tradition to the predominantly male-dominated avant-garde movements. Elisabeth Frost argues that this alternative lineage distinguishes itself by its feminism and its ambivalence toward existing avant-garde projects; she also thoroughly explores feminist avant-garde poets' debts and contributions to their male counterparts.
Much of the scholarship on second-wave feminism has focused on divisions within the women's movement and its narrow conception of race and class, but the contributors to this volume remind readers that feminists in the 1960s and 1970s also formed many strong partnerships, often allying themselves with a diverse range of social justice efforts on a local grassroots level. These essays focus on coalitions and alliances in which feminists and other activists joined forces to address crucial social justice issues such as reproductive rights, the peace movement, women's health, Christianity and other religions, and neighborhood activism, as well as alliances crossing boundaries of race, class, political views, and sexual identity. The contributors bring fresh perspectives to feminist history by calling attention to how women struggled to include and represent diverse women without minimizing the difficulties of conceptualizing a singular feminism.
Contributors are Maria Bevacqua, Tamar Carroll, Marisa Chappell, Andrea Estepa, Sara M. Evans, Amy Farrell, Stephanie Gilmore, Cynthia Harrison, Elizabeth Kaminski, Wendy Kline, Premilla Nadasen, Caryn Neumann, Anne M. Valk, and Emily Zuckerman.
The radical feminist movement has undergone significant transformation over the past four decades—from the direct action of the 1960s and 1970s to the backlash against feminism in the 1980s and 1990s. Drawing on organizational documents and interviews with both veterans of the women's movement and younger feminists in Columbus, Ohio, Nancy Whittier traces the changing definitions of feminism as the movement has evolved. She documents subtle variations in feminist identity and analyzes the striking differences, conflicts, and cooperation between longtime and recent activists.
The collective stories of the women—many of them lesbians and lesbian feminists whom the author shows to be central to the women's movement and radical feminism—illustrate that contemporary radical feminism is very much alive. It is sustained through protests, direct action, feminist bookstores, rape crisis centers, and cultural activities like music festivals and writers workshops, which Whittier argues are integral—and political—aspects of the movement's survival.
Her analysis includes discussions of a variety of both liberal and radical organizations, including the Women's Action Collective, Women Against Rape, Fan the Flames Bookstore, the Ohio ERA Task Force, and NOW. Unlike many studies of feminist organizing, her study also considers the difference between Columbus, a Midwest, medium-sized city, and feminist activities in major cities like New York, San Francisco, and Chicago, as well as the roles of radical feminists in the development of women's studies departments and other social movements like AIDS education and self-help.
In the series Women in the Political Economy, edited by Ronnie J. Steinberg.
The first book-length investigation of a pioneering English professor and theorist at Vassar College, A Feminist Legacy: The Rhetoric and Pedagogy of Gertrude Buck explores Buck’s contribution to the fields of education and rhetoric during the Progressive Era. By contextualizing Buck’s academic and theoretical work within the rise of women’s educational institutions like Vassar College, the social and political movement toward suffrage, and Buck’s own egalitarian political and social ideals, Suzanne Bordelon offers a scholarly and well-informed treatment of Buck’s achievements that elucidates the historical and contemporary impact of her work and life.
Bordelon argues that while Buck did not call herself a feminist, she embodied feminist ideals by demanding the full participation of her female students and by challenging power imbalances at every academic, social, and political level.
A Feminist Legacy reveals that Vassar College is an undervalued but significant site in the history of women’s argumentation and pedagogy. Drawing on a rich variety of archival sources, including previously unexamined primary material, A Feminist Legacy traces the beginnings of feminist theories of argumentation and pedagogy and their lasting legacy within the fields of education and rhetoric.
In the late 1960s and early 1970s, ordinary women affiliated with the women's movement were responsible for a veritable explosion of periodicals, poetry, and manifestos, as well as performances designed to support "do-it-yourself" education and consciousness-raising. Kathryn Thoms Flannery discusses this outpouring and the group education, brainstorming, and creative activism it fostered as the manifestation of a feminist literacy quite separate from women's studies programs at universities or the large-scale political workings of second-wave feminism. Seeking to break down traditional barriers such as the dichotomies of writer/reader or student/teacher, these new works also forged polemical alternatives to the forms of argumentation traditionally used to silence women, creating a space for fresh voices. Feminist Literacies explores these truly radical feminist literary practices and pedagogies that flourished during a brief era of volatility and hope.
What made these particular women rebel? And what experiences, ideas, feelings, and beliefs shaped their activism? How did they maintain the will and energy to keep such a struggle going for so long, and continuing still?
Memoirs and responses by Kate Millett, Vivian Gornick, Michele Wallace, Alix Kates Shulman, Joan Nestle, Jo Freeman, Yvonne Rainer, Barbara Smith, Ellen Willis, Eve Ensler, Shirley Geok-lin Lim, Roxanne Dunbar, Naomi Weisstein, Alice Wolfson and many more embody the excitement that fueled the movement and the conflicts that threatened it from within. Their stories trace the ways the world has changed.
This collection of twenty-six original essays looks at contemporary feminist organizations, how they've survived, the effects of their work, the problems they face, the strategies they develop, and where the women's movement is headed. The contributors, leading feminist scholars from nine social science disciplines, examine a wide variety of local feminist organizations, past and preset, illuminating the struggles of feminist organizers and activists.
In the series Women in the Political Economy, edited by Ronnie J. Steinberg.
In the essays collected here, nine distinguished scholars provide an overview of the differences the feminist perspective makes—and could make—in scholarship in the humanities and social sciences. Carefully documented and judiciously critical, these essays inform the reader about developments in feminist scholarship in literary criticism, the performing arts, religion, history, political science, economics, anthropology, psychology, and sociology. The authors point out achievements of lasting value and indicate how these might become an integral part of the various disciplines.
Feminism and liberalism need each other, argues Judith Baer. Her provocative book, Feminist Post-Liberalism, refutes both conservative and radical critiques. To make her case, she rejects classical liberalism in favor of a welfare—and possibly socialist—post-liberalism that will prevent capitalism and a concentration of power that reinforces male supremacy. Together, feminism and liberalism can better elucidate controversies in American politics, law, and society.
Baer emphasizes that tolerance and self-examination are virtues, but within both feminist and liberal thought these virtues have been carried to extremes. Feminist theory needs liberalism's respect for reason, while liberal theory needs to incorporate emotion. Liberalism focuses too narrowly on the individual, while feminism needs a dose of individualism.
Feminist Post-Liberalism includes anthropological foundations of male dominance to explore topics ranging from crime to cultural appropriation. Baer develops a theory that is true to the principles of both feminist and liberal ideologies.
The author demonstrates how Canadian women of mixed-blood ancestry achieve a voice through autobiographies and autobiographical novels. Using a framework of feminist reader response theory, she considers an underlying misogyny in the writings of N. Scott Momaday. And in examining commonalities between specific cultures, she discusses how two women of color, Paula Gunn Allen and Toni Morrison, explore representations of femaleness in their respective cultures. By synthesizing a broad spectrum of critical writing that overlaps women's voices and Native American literature, Donovan expands on the frame of dialogue within feminist literary and cultural theory. Drawing on the related fields of ethnography, ethnopoetics, ecofeminism, and post-colonialism, Feminist Readings of Native American Literature offers the first systematic study of the intersection between two dynamic arenas in literary studies today.
To contextualize a new and changed landscape for narratives in the history of rhetoric, Royster and Kirsch present four critical terms of engagement—critical imagination, strategic contemplation, social circulation, and globalization—as the foundation for a new analytical model for understanding, interpreting, and evaluating feminist rhetorical inquiry and the study and teaching of rhetoric in general. This model draws directly on the wealth of knowledge and understanding gained from feminist rhetorical practices, especially sensitivity toward meaningfully and respectfully rendering the work, lives, cultures, and traditions of historical and contemporary women in rhetorical scholarship.
Proposing ambitious new standards for viewing and valuing excellence in feminist rhetorical practice, Royster and Kirsch advocate an ethos of respect and humility in the analysis of communities and specific rhetorical performances neglected in rhetorical history, recasting rhetorical studies as a global phenomenon rather than a western one. They also reflect on their own personal and professional development as researchers as they highlight innovative feminist research over the past thirty years to articulate how feminist work is changing the field and pointing to the active participation of women in various discourse arenas and to the practices and genres they use.
Valuable to new and established scholars of rhetoric, Feminist Rhetorical Practice: New Horizons for Rhetoric, Composition, and Literacy Studies is essential for understanding the theoretical, methodological, and ethical impacts of feminist rhetorical studies on the wider field.
Winner, 2014 Winifred Bryan Horner Outstanding Book Award
The Feminist Spectator as Criticbroke new ground as one of the pioneering books on feminist spectatorship, encouraging resistant readings to generate feminist meanings in performance. Approaching live spectatorship through a range of interdisciplinary methods, the book has been foundational in theater studies, performance studies, and gender/sexuality/women's studies. This updated and enlarged second edition celebrates the book's twenty-fifth anniversary with a substantial new introduction and up-to-the-moment bibliography, detailing the progress to date in gender equity in theater and the arts, and suggesting how far we have yet to go.
Contributors. Seantel Anaïs, Mark Andrejevic, Paisley Currah, Sayantani DasGupta, Shamita Das Dasgupta, Rachel E. Dubrofsky, Rachel Hall, Lisa Jean Moore, Yasmin Jiwani, Ummni Khan, Shoshana Amielle Magnet, Kelli Moore, Lisa Nakamura, Dorothy Roberts, Andrea Smith, Kevin Walby, Megan M. Wood, Laura Hyun Yi Kang
Feminist Theory: A Critique of Ideology meets that challenge. Collected from several issues of Signs–Journal of Women in Culture and Society, these essays explore the relationships between objectivity and masculinity, between psychology and political theory, and between family and state. In pursuing these critical explorations, the contributors–liberal, Marxist, socialist, and radical feminists–examine the foundations of power, of sexuality, of language, and of scientific thought.
Documenting key feminists who ignited the second wave women's movement
Barbara J. Love’s Feminists Who Changed America, 1963-1975 will be the first comprehensive directory to document many of the founders and leaders (including both well-known and grassroots organizers) of the second wave women's movement. It tells the stories of more than two thousand individual women and a few notable men who together reignited the women's movement and made permanent changes to entrenched customs and laws.
The biographical entries on these pioneering feminists represent their many factions, all parts of the country, all races and ethnic groups, and all political ideologies. Nancy Cott's foreword discusses the movement in relation to the earlier first wave and presents a brief overview of the second wave in the context of other contemporaneous social movements.
What happens when a woman dares to imagine herself a hero? Questing, she sets out for unknown regions. Lighting a torch, she elicits from the darkness stories never told or heard before. The woman hero sails against the tides of great legends that recount the adventures of heroic men, legends deemed universal, timeless, and essential to our understanding of the natural order that holds us and completes us in its spiral. Yet these myths and rituals do not fulfill her need for an empowering self-image nor do they grant her the mobility she requires to imagine, enact, and represent her quest for authentic self-knowledge.
The Feminization of Quest-Romance proposes that a female quest is a revolutionary step in both literary and cultural terms. Indeed, despite the difficulty that women writers face in challenging myths, rituals, psychological theories, and literary conventions deemed universal by a culture that exalts masculine ideals and universalizes male experience, a number of revolutionary texts have come into existence in the second half of the twentieth century by such American women writers as Jean Stafford, Mary McCarthy, Anne Moody, Marilynne Robinson, and Mona Simpson, all of them working to redefine the literary portrayal of American women's quests. They work, in part, by presenting questing female characters who refuse to accept the roles accorded them by restrictive social norms, even if it means sacrificing themselves in the name of rebellion. In later texts, female heroes survive their "lighting out" experiences to explore diverse alternatives to the limiting roles that have circumscribed female development.
This study of The Mountain Lion, Memories of a Catholic Girlhood, Coming of Age in Mississippi, Housekeeping, and Anywhere but Here identifies transformations of the quest-romance that support a viable theory of female development and offer literary patterns that challenge the male monopoly on transformative knowledge and heroic action.
Since the 1980s a distinctive suburban politics has emerged in the United States, Juliet F. Gainsborough argues in Fenced Off . As suburbs have become less economically and socially dependent on the central cities, suburban and urban dwellers have diverged not only in their voting patterns but also in their thinking about national politics. While political reporters have long noted this difference, few quantitative studies have been conducted on suburbanization alone—above and beyond race or class—as a political trend.
Using census and public opinion statistics, along with data on congressional districts and party platforms, Gainsborough demonstrates that this "ideology of localism" weakens when suburbs experience city-like problems and strengthens when racial and economic differences with the nearby city increase. In addition, Gainsborough uses national survey data from the 1950s to the 1990s to show that a separate suburban politics has arisen only during the last two decades.
Further, she argues, the political differences between urban and suburban voters have found expression in changes in congressional representation and new electoral strategies for the major political parties. As Congressional districts become increasingly suburban, "soccer moms" and liveability agendas come to dominate party platforms, and the needs of the urban poor disappear from political debate. Fenced Off uses the tools of political science to prove what political commentators have sensed—that the suburbs offer a powerful voting bloc that is being courted with sophisticated new strategies.
Inspired by the failed Young Ireland insurrection of 1848 and other nationalist movements on the European continent, the Fenian Brotherhood and the IRB (collectively known as the Fenians) surmised that insurrection was the only path to Irish freedom. By 1865, the Fenians had filled their ranks with battle-tested Irish expatriate veterans of the
Union and Confederate armies who were anxious to liberate Ireland. Lofty Fenian ambitions were ultimately compromised by several factors including United States government opposition and the resolution of volunteer Canadian militias who repelled multiple Fenian incursions into New Brunswick, Quebec, Ontario, and Manitoba. The Fenian legacy is thus multi-faceted. It was a mildly-threatening source of nationalist pride for discouraged Irish expatriates until the organization fulfilled its pledge to violently attack British soldiers and subjects. It also encouraged the confederation of Canadian provinces under the 1867 Dominion Act.
In this book, Patrick Steward and Bryan McGovern present the first holistic, multi-national study of the Fenian movement. While utilizing a vast array of previously untapped primary sources, the authors uncover the socio-economic roots of Irish nationalist behavior at the height of the Victorian Period. Concurrently, they trace the progression of Fenian ideals in the grassroots of Young Ireland to its de facto collapse in 1870s. In doing so, the authors change the perception of the Fenians from fanatics who aimlessly attempted to free their homeland to idealists who believed in their cause and fought with a physical and rhetorical force that was not nonsensical and hopeless as some previous accounts have suggested.
PATRICK STEWARD works in the Mayo Clinic Development Office in Rochester, Minnesota. He obtained a Ph.D. in Irish History at University of Missouri under the direction of Kerby Miller. Patrick additionally holds two degrees from Tufts University and he was a strategic intelligence analyst at the Drug Enforcement Administration in Washington, D.C. early in his professional career.
BRYAN MCGOVERN is an associate professor of history at Kennesaw State University in Kennesaw, Georgia. He is author of the widely praised 2009 book John Mitchel, Irish Nationalist, Southern Secessionist and has written various articles, chapters, and book reviews on Irish and Irish-American nationalism.
Fermi National Accelerator Laboratory, located in the western suburbs of Chicago, has stood at the frontier of high-energy physics for forty years. Fermilab is the first history of this laboratory and of its powerful accelerators told from the point of view of the people who built and used them for scientific discovery.
Focusing on the first two decades of research at Fermilab, during the tenure of the laboratory’s charismatic first two directors, Robert R. Wilson and Leon M. Lederman, the book traces the rise of what they call “megascience,” the collaborative struggle to conduct large-scale international experiments in a climate of limited federal funding. In the midst of this new climate, Fermilab illuminates the growth of the modern research laboratory during the Cold War and captures the drama of human exploration at the cutting edge of science.
Ferraro's run for vice-president was an important moment in American history. The time is right for telling a new generation this story of women's collective political power and the difference women office holders can and do make to public policy.
The lush photos and wide-ranging essays of The Fertile Earth and the Ordered Cosmos honor this significance, not only to the global community but to local individuals and scholars who have developed intimate connections to the Earthworks. In sharing their experiences with this ancient site, public historians, archaeologists, physicists, architects, and others—including local and Indigenous voices—continue the work of nearly two hundred years of citizen efforts to protect and make accessible the Newark Earthworks after centuries of stewardship by Indigenous people. The resulting volume serves as a rich primer on the site for those unfamiliar with its history and a beautifully produced tribute for those who are already acquainted with its wonders.
While the stereotype of the persistently pregnant Mexican-origin woman is longstanding, in the past fifteen years her reproduction has been targeted as a major social problem for the United States. Due to fear-fueled news reports and public perceptions about the changing composition of the nation's racial and ethnic makeup—the so-called Latinization of America—the reproduction of Mexican immigrant women has become a central theme in contemporary U. S. politics since the early 1990s.
In this exploration, Elena R. Gutiérrez considers these public stereotypes of Mexican American and Mexican immigrant women as "hyper-fertile baby machines" who "breed like rabbits." She draws on social constructionist perspectives to examine the historical and sociopolitical evolution of these racial ideologies, and the related beliefs that Mexican-origin families are unduly large and that Mexican American and Mexican immigrant women do not use birth control.
Using the coercive sterilization of Mexican-origin women in Los Angeles as a case study, Gutiérrez opens a dialogue on the racial politics of reproduction, and how they have developed for women of Mexican origin in the United States. She illustrates how the ways we talk and think about reproduction are part of a system of racial domination that shapes social policy and affects individual women's lives.
Excluded from July Fourth and other American nationalist rituals for most of this period, black activists used these festivals of freedom to encourage community building and race uplift. Kachun demonstrates that, even as these annual rituals helped define African Americans as a people by fostering a sense of shared history, heritage, and identity, they were also sites of ambiguity and conflict. Freedom celebrations served as occasions for debate over black representations in the public sphere, struggles for group leadership, and contests over collective memory and its meaning.
Based on extensive research in African American newspapers and oration texts, this book retraces a vital if often overlooked tradition in African American political culture and addresses important issues about black participation in the public sphere. By illuminating the origins of black Americans' public commemorations, it also helps explain why there have been increasing calls in recent years to make the "Juneteenth" observance of emancipation an American—not just an African American—day of commemoration.
In the late 1970s and throughout the 1980s, many private employers in the United States enacted fetal protection policies that barred fertile women—that is, women who had not been surgically sterilized—from working in jobs that might expose fetuses to toxins. In Fetal Rights, Women’s Rights, Suzanne Samuels analyzes these policies and the ambiguous responses to them by federal and state courts, legislatures, administrative agencies, litigants, and interest groups. She poses provocative questions about the implicit links between social welfare concerns and paternalism in the workplace, including: are women workers or wombs?
Placing the fetal protection controversy within the larger societal debate about gender roles, Samuels argues that governmental decision-makers confuse sex, which is based solely on biological characteristics, with gender, which is based on societal conceptions. She contends that the debate about fetal protection policies brought this ambiguity into stark relief, and that the response of policy-makers was rooted in assumptions about gender roles. Judges, legislators, and regulators used gender as a proxy, she argues, to sidestep the question of whether fetal protection policies could be justified by the biological differences between women and men.
The fetal protection controversy raises a number of concerns about women's role in the workplace. Samuels discusses the effect on governmental policies of the ongoing controversy over abortion rights and the debates between egalitarian and relational feminists about the treatment of women at work. A timely and engrossing study, Fetal Rights, Women's Rights details the pattern of gender politics in the United States and demonstrates the broader ramifications of gender bias in the workplace.
Consider two polar images of the same medical condition: the pale and fragile Camille ensconced on a chaise in a Victorian parlor, daintily coughing a small spot of blood onto her white lace pillow, and a wretched poor man in a Bowery flophouse spreading a dread and deadly infection. Now Katherine Ott chronicles how in one century a romantic, ambiguous affliction of the spirit was transformed into a disease that threatened public health and civic order. She persuasively argues that there was no constant identity to the disease over time, no “core” tuberculosis.
What we understand today as pulmonary tuberculosis would have been largely unintelligible to a physician or patient in the late nineteenth century. Although medically the two terms described the same disease of the lungs, Ott shows that “tuberculosis” and “consumption” were diagnosed, defined, and treated distinctively by both lay and professional health workers. Ott traces the shift from the pre-industrial world of 1870, in which consumption was conceived of primarily as a middle-class malaise that conferred virtue, heightened spirituality, and gentility on the sufferer, to the post-industrial world of today, in which tuberculosis is viewed as a microscopic enemy, fought on an urban battleground and attacking primarily the outcast poor and AIDS patients.
Ott’s focus is the changing definition of the disease in different historical eras and environments. She explores its external trappings, from the symptoms doctors chose to notice (whether a pale complexion or a tubercle in a dish) to the significance of the economic and social circumstances of the patient. Emphasizing the material culture of disease—medical supplies, advertisements for faraway rest cures, outdoor sick porches, and invalid hammocks—Ott provides insight into people’s understanding of illness and how to combat it. Fevered Lives underscores the shifting meanings of consumption/tuberculosis in an extraordinarily readable cultural history.
Using examples of fictional and real-life blues artists culled from popular music and literary works from writers such as Walter Mosley, Alice Walker, and Sherman Alexie, Kimberly Mack demonstrates that the stories blues musicians construct about their lives (however factually slippery) are inextricably linked to the "primary story" of the narrative blues tradition, in which autobiography fuels musicians' reclamation of power and agency.
Once called by the New York Times "a violinist's violinist and a musician's musician," Louis Kaufman was born in 1905 in Portland, Oregon. He studied violin with Franz Kneisl at New York's Institute of Musical Art. He was the original violist of the Musical Art Quartet (1926-1933) and won the Naumburg Award in 1928, the year of his American solo recital debut in New York's Town Hall.
During these early years, he played chamber music with Pablo Casals, Mischa Elman, Jascha Heifetz, Fritz Kreisler, Gregor Piatigorsky, and Efrem Zimbalist, among others. After performing the violin solos for Ernst Lubitsch's 1934 film The Merry Widow, Kaufman became the most sought after violin soloist in Hollywood, playing in some 500 films, including Casablanca, Gone with the Wind, The Diary of Anne Frank, Wuthering Heights, The Grapes of Wrath, and Spartacus. He worked closely with Robert Russell Bennett, Bernard Herrmann, Erich Wolfgang Korngold, Alfred Newman, Miklós Rózsa, Max Steiner, Franz Waxman, and Victor Young.
Extraordinary as it seems today, Kaufman was largely responsible for bringing the once-forgotten music of Antonio Vivaldi to its current popularity worldwide among both classical musicians and the general population of music lovers.
The book includes a music CD with Kaufman’s performances of Vivaldi’s Concerto 2 of op. 9, Havanaise by Camille Saint Saëns, Nocturne for Violin and Piano by Aaron Copland, Much Ado about Nothing Suite for violin and piano by Erich Wolfgang Korngold, and Smoke Gets in Your Eyes by Jerome Kern, among other favorites.
Field Life examines the practice of science in the field in the Great Plains and Rocky Mountains of the American West between the 1860s and the 1910s, when the railroad was the dominant form of long-distance transportation. Grounded in approaches from environmental history and the history of technology, it emphasizes the material basis of scientific fieldwork, joining together the human labor that produced knowledge with the natural world in which those practices were embedded.
Four distinct modes of field practice, which were shared by different field science disciplines, proliferated during this period—surveys, lay networks, quarries, and stations—and this book explores the dynamics that underpinned each of them. Using two diverse case studies to animate each mode of practice, as well as the making of the field as a place for science, Field Life combines textured analysis of specific examples of field science on the ground with wider discussion of the commonalities in the practices of a diverse array of field sciences, including the earth and physical sciences, the life and agricultural sciences, and the human sciences.
By situating science in its regional environmental context, Field Life analyzes the intersection between the cosmopolitan knowledge of science and the experiential knowledge of people living in the field. Examples of field science in the Plains and Rockies range widely: geological surveys and weather observing networks, quarries to uncover dinosaur fossils and archaeological remains, and branch agricultural experiment stations and mountain biological field stations.
Field Observations, the debut fiction collection from Rob Davidson, contains stories about people who find themselves at difficult turning points in their lives—times when they are faced with hard choices, broken promises, and the fear of self-destruction. Davidson's characters are diverse: a retired math teacher, an auto repair worker, a technical writer, a nurse living overseas. What connects them is the way Davidson renders each character with essential human dignity, regardless of his or her flaws. This collection addresses such contemporary concerns as love relationships, cultural interaction, divorce, aging, and alcoholism in a lively, sometimes offbeat way.
In "Inventory"—winner of a 1997 AWP Intro Journals Award—the young narrator, fresh out of the army, struggles to take stock of his civilian life and assume responsibility for himself. An estranged wife, in "You Have to Say Something," competes for attention with her husband's manic approach to work, finding both solace and frustration in a new friend, a compulsive gift-giver. "A Private Life" renders a young Peace Corps volunteer grappling with her loneliness in a foreign country, with a sense of exposure and violation. In "What We Leave Behind," a college dropout and onetime golf prodigy finds himself dissatisfied with his current career as a vacuum cleaner salesman; after a quirky encounter with a client, he finds hope for a new beginning.
A recurrent motif in the stories is the presentation of characters who either tend to observe, even spy on, others, or who have the sense that they themselves are being watched. The notion of a passive observer extends to several characters who seem to treat their own lives as subject for observation rather than action, frequently persisting in patterns of behavior that are clearly destructive.
Rendered in clean, smooth prose with sharply observed details and driven by Davidson's fine ear for dialogue, these stories poignantly capture the difficult in-between states that trouble people every day. Fully defined and evocatively written, this collection addresses important real-life issues and concerns.
In Field Seasons, Anna Marie Prentiss chronicles her experiences as an archaeologist, providing an insider’s look at the diverse cultures, personal agendas, and career pathways associated with American archaeology since the late twentieth century. As the narrative moves from her academic training to employment in government and private consulting to her eventual professorship at a state university, several themes emerge.
This book is about career paths. Its discussion of the diverse jobs within the archaeological profession makes it valuable to students seeking guidance about their career options. It also provides insight into the cultures of American archaeology, a discipline with many schools of thought and unique subcultures. The world of archaeological field technicians is quite different from that of government bureaucrats or academics. Prentiss also explores the elements of cultural change within archaeology while she reflects on her personal evolution throughout her thirty years within the discipline.
The book’s unique personal assessment of the state of American archaeology will appeal to a broad swath of students and professionals. Students will find it an entertaining road map to possible careers while professionals will find plenty of scholarly material concerning ethics, archaeological theory, and interpretations of the archaeological record.
Deeply engaging, movingly written with grace, elegance, and clarity, the book stimulates readers to situate their own writing in personal, social, and political contexts.
Americans love sports, from neighborhood pickup basketball to the National Football League, and everything in between. While no city better demonstrates the connection between athletic games and community than Pittsburgh, Pennsylvania, the common association of the city’s professional sports teams with its blue-collar industrial past illustrates a white nostalgic perspective that excludes the voices of many who labored in the mines and mills and played on local fields. In this original and lyrical history, Robert T. Hayashi addresses this gap by uncovering and sharing overlooked tales of the region’s less famous athletes: Chinese baseball players, Black women hunters, Jewish summer campers, and coal miner soccer stars. These athletes created separate spaces of play while demanding equal access to the region’s opportunities on and off the field. Weaving together personal narrative with accounts from media, popular culture, legal cases, and archival sources, Fields of Play details how powerful individuals and organizations used recreation to promote their interests and shape public memory. Combining this rigorous archival research with a poet’s voice, Hayashi vividly portrays how coal towns, settlement houses, municipal swimming pools, state game lands, stadia, and the city’s landmark rivers were all sites of struggle over inclusion and the meaning of play in the Steel City.
A classic work of history, ethnography, and botany, and an examination of the life and environs of the 18th-century south
William Bartram was a naturalist, artist, and author of Travels through North and South Carolina, Georgia, East and West Florida, the Cherokee Country, the ExtensiveTerritories of the Muscogulees, or Creek Confederacy, and the Country of the Choctaws. The book, based on his journey across the South, reflects a remarkable coming of age. In 1773, Bartram departed his family home near Philadelphia, Pennsylvania, as a British colonist; in 1777, he returned as a citizen of an emerging nation of the United States. The account of his journey, published in 1791, established a national benchmark for nature writing and remains a classic of American literature, scientific writing, and history. Brought up as a Quaker, Bartram portrayed nature through a poetic lens of experience as well as scientific observation, and his work provides a window on 18th-century southern landscapes. Particularly enlightening and appealing are Bartram’s detailed accounts of Seminole, Creek, and Cherokee peoples.The Bartram Trail Conference fosters Bartram scholarship through biennial conferences held along the route of his travels. This richly illustrated volume of essays, a selection from recent conferences, brings together scholarly contributions from history, archaeology, and botany. The authors discuss the political and personal context of his travels; species of interest to Bartram; Creek architecture; foodways in the 18th-century south, particularly those of Indian groups that Bartram encountered; rediscovery of a lost Bartram manuscript; new techniques for charting Bartram’s trail and imaging his collections; and a fine analysis of Bartram’s place in contemporary environmental issues.
Renée Nicholson’s professional training in ballet had both moments of magnificence and moments of torment, from fittings of elaborate platter tutus to strange language barriers and unrealistic expectations of the body. In Fierce and Delicate, she looks back on the often confused and driven self she had been shaped into—always away from home, with friends who were also rivals, influenced by teachers in ways sometimes productive and at other times bordering on sadistic—and finds beauty in the small roles she performed. When, inevitably, Nicholson moved on from dancing, severed from her first love by illness, she discovered that she retained the lyricism and narrative of ballet itself as she negotiated life with rheumatoid arthritis.
An intentionally fractured memoir-in-essays, Fierce and Delicate navigates the traditional geographies of South Florida, northern Michigan, New York City, Milwaukee, West Virginia, and also geographies of the body—long, supple limbs; knee replacements; remembered bodies and actual. It is a book about the world of professional dance and also about living with chronic disease, about being shattered yet realizing the power to assemble oneself again, in a new way.
Helena Wall shows what life was like in colonial America, a culture where individuals and family were subordinated to the demands of the community. Using local town, church, and especially court records from every colony, she examines the division of authority between family and community throughout colonial America.
Although this close relationship and its consequences for private life bred many tensions and conflicts, the premises and conditions of that interdependent association persisted even into the nineteenth century. Wall sketches the subsequent changes and outlines the new arrangements of family and community life as the colonies moved toward the formation of a new nation.
In A Fierce Green Fire, renowned environmental journalist Philip Shabecoff presents the definitive history of American environmentalism from the earliest days of the republic to the present. He offers a sweeping overview of the contemporary environmental movement and the political, economic, social and ethical forces that have shaped it. More importantly, he considers what today's environmental movement needs to do if it is to fight off the powerful forces that oppose it and succeed in its mission of protecting the American people, their habitat, and their future.
Shabecoff traces the ecological transformation of North America as a result of the mass migration of Europeans to the New World, showing how the environmental impulse slowly formed among a growing number of Americans until, by the last third of the 20th Century, environmentalism emerged as a major social and cultural movement. The efforts of key environmental figures -- among them Henry David Thoreau, George Perkins Marsh, Theodore Roosevelt, Gifford Pinchot, John Muir, Aldo Leopold, David Brower, Barry Commoner, and Rachel Carson -- are examined. So, too, are the activities of non-governmental environmental groups as well as government agencies such as the EPA and Interior Department, along with grassroots efforts of Americans in communities across the country. The author also describes the economic and ideological forces aligned against environmentalism and their increasing successes in recent decades.
Originally published in 1993, this new edition brings the story up to date with an analysis of how the administration of George W. Bush is seeking to dismantle a half-century of progress in protecting the land and its people, and a consideration of the growing international effort to protect Earth's life-support systems and the obstacles that the United States government is placing before that effort. In a forward-looking final chapter, Shabecoff casts a cold eye on just what the environmental movement must do to address the challenges it faces.
Now, at this time when environmental law, institutions, and values are under increased attack -- and opponents of environmentalism are enjoying overwhelming political and economic power -- A Fierce Green Fire is a vital reminder of how far we have come in protecting our environment and how much we have to lose.
One of the first new interpretations of West Virginia’s origins in over a century—and one that corrects previous histories’ tendency to minimize support for slavery in the state’s founding.
Every history of West Virginia’s creation in 1863 explains the event in similar ways: at the start of the Civil War, political, social, cultural, and economic differences with eastern Virginia motivated the northwestern counties to resist secession from the Union and seek their independence from the rest of the state. In The Fifth Border State, Scott A. MacKenzie offers the first new interpretation of the topic in over a century—one that corrects earlier histories’ tendency to minimize support for slavery in the state’s founding.
Employing previously unused sources and reexamining existing ones, MacKenzie argues that West Virginia experienced the Civil War in the same ways as the border states of Missouri, Kentucky, Maryland, and Delaware. Like these northernmost slave states, northwestern Virginia supported the institution of slavery out of proportion to the actual presence of enslavement there. The people who became West Virginians built a new state first to protect slavery, but radical Unionists and escaping slaves forced emancipation on the statehood movement. MacKenzie shows how conservatives and radicals clashed over Black freedom, correcting many myths about West Virginia’s origins and making The Fifth Border State an important addition to the literature in Appalachian and Civil War history.
A companion to his Sixties Spiritual Awakening, Ellwood explores the major Catholic-Protestant tensions of the decade, the conflict between theology and popular faith, and the underground forms of fifties religiosity like "Beat" Zen, UFO contactees, Thomas Merton monasticism, and the Joseph Campbell / Carl Jung revival of mythology. Ellwood frames his detailed and lively account with the provocative idea of the fifties as a "supply-side" free enterprise spiritual marketplace, with heady competition between religious groups and leaders, and with church attendance at a record high.
In addition to challenging an idealistic fifties cultural milieu, the book analyzes American religious responses to key historical events like the Korean War, McCarthyism, and the civil rights movement, turning a religious lens on the cultural history of the United States.
Winner, Book Award, Associaton for Borderland Studies, 2008
The U.S. and Mexican border regions have experienced rapid demographic and economic growth over the last fifty years. In this analysis, Joan Anderson and James Gerber offer a new perspective on the changes and tensions pulling at the border from both sides through a discussion of cross-border economic issues and thorough analytical research that examines not only the dramatic demographic and economic growth of the region, but also shifts in living standards, the changing political climate, and environmental pressures, as well as how these affect the lives of people in the border region.
Creating what they term a Border Human Development Index, the authors rank the quality of life for every U.S. county and Mexican municipio that touches the 2,000-mile border. Using data from six U.S. and Mexican censuses, the book adeptly illustrates disparities in various aspects of economic development between the two countries over the last six decades.
Anderson and Gerber make the material accessible and compelling by drawing an evocative picture of how similar the communities on either side of the border are culturally, yet how divided they are economically. The authors bring a heightened level of insight to border issues not just for academics but also for general readers. The book will be of particular value to individuals interested in how the border between the two countries shapes the debates on quality of life, industrial growth, immigration, cross-border integration, and economic and social development.
Well known as an abolitionist stronghold before the Civil War, Massachusetts had taken steps to eliminate slavery as early as the 1780s. Nevertheless, a powerful racial caste system still held sway, reinforced by a law prohibiting “amalgamation”—marriage between whites and blacks. The Fight for Interracial Marriage Rights in Antebellum Massachusetts chronicles a grassroots movement to overturn the state’s ban on interracial unions. Assembling information from court and church records, family histories, and popular literature, Amber D. Moulton recreates an unlikely collaboration of reformers who sought to rectify what, in the eyes of the state’s antislavery constituency, appeared to be an indefensible injustice.
Initially, activists argued that the ban provided a legal foundation for white supremacy in Massachusetts. But laws that enforced racial hierarchy remained popular even in Northern states, and the movement gained little traction. To attract broader support, the reformers recalibrated their arguments along moral lines, insisting that the prohibition on interracial unions weakened the basis of all marriage, by encouraging promiscuity, prostitution, and illegitimacy. Through trial and error, reform leaders shaped an appeal that ultimately drew in Garrisonian abolitionists, equal rights activists, antislavery evangelicals, moral reformers, and Yankee legislators, all working to legalize interracial marriage.
This pre–Civil War effort to overturn Massachusetts’ antimiscegenation law was not a political aberration but a crucial chapter in the deep history of the African American struggle for equal rights, on a continuum with the civil rights movement over a century later.
Born a slave in western Virginia about 1815, Barbour was a free man by the late 1840s. His adventurous life took him through Lexington and Louisville, Kentucky; Cleveland, Ohio; Alton, Illinois; and Little Rock and Lake Village, Arkansas. In search of upward mobility, he worked as a steamboat steward, tried his hand at several commercial ventures, and entered politics. He sought, but was denied, a Civil War military appointment that would have provided financial stability. Blessed with intelligence, competence, and energy, Barbour was quick to identify opportunities as they appeared in personal relationships—he was simultaneously married to two women—business, and politics.
Despite an unconventional life, Barbour found in each place he lived that he was one of many free black people who fought to better themselves alongside their white countrymen. Harrison’s argument about black class formation reframes the customary narrative of downtrodden free African Americans in the mid-nineteenth century and engages current discussions of black inclusion, the concept of “otherness,” and the breaking down of societal barriers. Demonstrating that careful research can reveal the stories of people who have been invisible to history, Fight Like a Tiger complicates our understanding of the intersection of race and class in the Civil War era.
However, change is in the air. Fight the Tower is a continuation of the Fight the Tower movement, which supports women standing up for their rights to claim their earned place in academia and to work for positive change for all within academic institutions. The essays provide powerful portraits, reflections, and analyses of a population often rendered invisible by the lies that sustain intersectional injustices in order to operate an oppressive system.
Montse Feu merges España Libre's story with the drama of the Spanish immigrant community's fight against fascism. The periodical emerged as part of a transnational effort to link migrants and new exiles living in the United States to antifascist networks abroad. In addition to showing how workers' culture and politics shaped their antifascism, Feu brings to light creative works that ranged from literature to satire to cartoons to theater. As España Libre opened up radical practices, it encouraged allies to reject violence in favor of social revolution's potential for joy and inclusion.
Yet these pre-Fed banking panics, as Gary B. Gorton and Ellis W. Tallman show, bear striking similarities to our recent financial crisis. Fighting Financial Crises thus turns to the past to better understand our uncertain present, investigating how panics during the National Banking Era played out and how they were eventually quelled and prevented. The authors then consider the Fed’s and the SEC’s reactions to the recent crisis, building an informative new perspective on how the modern economy works.
An unparalleled exploration of NOW’s trajectory, from its founding to the present—and its future
A new wave of feminist energy has swept the globe since 2016—from women’s marches and the #MeToo movement to transwomen’s inclusion and exclusion in feminism and participation in institutional politics. Amid all this, an organization declared dead or dying for thirty years—the National Organization for Women—has seen a membership boom. NOW presents an intriguing puzzle for scholars and activists alike. Considered one of the most stable organizations in the feminist movement, it has experienced much conflict and schism. Scholars have long argued that factionalism is the death knell of organizations, yet NOW continues to thrive despite internal conflicts.
Fighting for NOW seeks to better understand how bureaucratic structures like NOW’s simultaneously provide stability and longevity, while creating space for productive and healthy conflict among members. Kelsy Kretschmer explores these ideas through an examination of conflict in NOW’s local chapters, its task forces and committees, and its satellite groups. NOW’s history provides evidence for three basic arguments: bureaucratic groups are not insulated from factionalism; they are important sites of creativity and innovation for their movements; and schisms are not inherently bad for movement organizations. Hence, Fighting for NOW is in stark contrast to conventional scholarship, which has conceptualized factionalism as organizational failure. It also provides one of the few book-length explorations of NOW’s trajectory, from its founding to the modern context.
Scholars will welcome the book’s insights that draw on open systems and resource dependency theories, as well as its rethinking of how conflict shapes activist communities. Students will welcome its clear and compelling history of the feminist movement and of how feminist ideas have changed over the past five decades.
One of the Most Important Battlegrounds in the History of America
While it is in the eastern United States where most Americans identify our military history, the vast, resource-rich Pacific Northwest, stretching from Northern California through British Columbia, endured a series of battles and wars over the course of the nineteenth century that were of regional and national importance. It was here where Great Britain and the United States had their final confrontation in the Americas, where Chief Joseph attempted to secure independence for the Nez Perce, and where the Oregon Trail marked the first great migration to the West of settlers bent on carving out new lives in the wilderness. The Pacific Northwest also saw some of the only attacks on the mainland by Japan during World War II.
Beginning with the earliest known accounts of wars among the American Indians of the region, Fighting for Paradise: A Military History of the Pacific Northwest describes early European contact, including British trappers of the Hudson's Bay Company, the Lewis and Clark Expedition, Jedediah Smith, and John Jacob Astor's trading post. The competition over the lucrative fur trade led to the "Pig War," which almost resulted in another armed conflict between Great Britain and the United States, but it was the influx of settlers from the Oregon Trail that touched off the long bitter battles between whites and American Indians. Starting with the 1847 Whitman Massacre and the ensuing war it touched off, the book covers the next three decades of violence, ending with the Sheepeater's War in 1879. Kurt R. Nelson then relates the Pacific Northwest's contributions to the Spanish-American and Philippine-American Wars, the Mexican Punitive Expedition, World War I, and finally World War II, where the region fought Japanese submarine attacks and was harassed by balloon bombs. Throughout, the author provides current information about the state of preservation of various battle sites and other points of historical interest. Accompanied by maps and photographs, Fighting for Paradise provides insight into an area of American military history, rich in drama, that is not generally known.
Lang pieces together hundreds of stories, accompanied by numerous historical images, to reveal a powerful new perspective on the Civil War. These soldiers and civilians were not “disabled” by their deafness. On the contrary, despite the marginalization and paternalism they experienced in society, they were able to apply their skills and knowledge to support the causes in which they ardently believed.
Fighting in the Shadows is a story of how deaf civilians and soldiers put aside personal concerns about deafness, in spite of the discrimination they faced daily, in order to pursue a cause larger than themselves. Yet their stories have remained in the shadows, leaving most Americans, hearing and deaf, largely unaware of the deaf people who made significant contributions to the events that changed the course of our nation’s history. This book provides new insights into Deaf history as well as into mainstream interpretations of the Civil War.
Decades after President Johnson initiated the War on Poverty, it is time for an unbiased assessment of its effects. In this book a distinguished group of economists, sociologists, political scientists, and social policy analysts provide that assessment. Spending on social programs has greatly increased, yet poverty has declined only slightly. Do the numbers alone give an accurate picture? Have the government's efforts, as some critics claim, done more harm than good? The authors of this volume provide a balanced and wide-ranging analysis of antipoverty policies since the 1960s, including both successes and failures.
The evidence shows that simple comparisons of spending levels and poverty trends do not tell the whole story: they obscure the diversity of the poor population and the many complex issues involved in evaluating policies. The authors address such questions as: How do economic growth, social movements, and changes in thewelfare system affect the poor? What economic and political factors influence antipoverty programs, and conversely, what implications do these programs have for employment, education, health care, family structure, and civil rights?The authors' account of past failures and their agenda for the next decade show clearly that much remains to be done. Yet they are not as pessimistic as some writers, who maintain that nothing will work. Rather, they say, nothing will work miracles.
As a guide to the economics and politics of antipoverty programs, this volume is peerless. It is certain to become an important reference for students and scholars in the field, for policy analysts and policymakers, and for program administrators.
Former Wisconsin governor Philip F. La Follette forged a political path characterized by his progressive, innovative vision. Growing up in the shadow of revered senator "Fighting Bob" La Follette made for a politically charged childhood and laid the groundwork for Phil's emergence as a powerful figure in Wisconsin politics. A gregarious and fiery politician, Phil's efforts led to the passage of the country's first unemployment compensation act, aid programs for workers and farmers, and the reorganization of state government.
This approachable, comprehensive book traces La Follette's journey through public office as well as his life after the waning of the Progressive era. Phil La Follette’s is a history of continuing progressivism, of innovative solutions to social problems, and of loyalty to a political ethos that goes far beyond love of country. Kasparek's treatment of this Fighting Son is a monument not only to La Follette but to progressive politics in Wisconsin.
Fighting Words profiles five journalists who published the truth as they saw it, no matter how their reporting angered politicians, social and religious leaders, or other journalists.
The five journalists are William Brann (1855–1898), Don Biggers (1868–1957), John Granbery (1874–1953), Archer Fullingim (1902–1984), and Stoney Burns [Brent Stein] (1942–2011). Though they lived in different eras, all these men dealt with issues that society continues to face—racism, official corruption, religious freedom, educational reform, political extremism of the left and right, the clash of urban and rural values, and the fear of change. Their lives and work constitute a unique, alternative perspective on Texas history and the history of journalism itself.
In addition to the troubling questions they raised on social issues, these independent journalists challenge us, as they challenged the mainline media of their own times, to define the function of journalism and to examine the mandate of the First Amendment. We may doubt the wisdom of some of their convictions, but not the courage they needed to express them in the face of ridicule, hostility, intimidation, and even death. More than the specific causes they fought for, the independents’ passion for truth and their absolute belief in free speech constitute their greatest legacy to us and to journalism.
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